First Tuesday Concert: Bookends

First Tuesday Concert Series
Croswell Library
Tuesday, April 5 @ 6 PM
Bookends:
Tom Schlichting and Dean Barnett
We are excited to host Bookends for the third time for our First Tuesday Concert Series.
Tom and Dean are a Simon and Garfunkel tribute duo with superb harmonies and excellent guitar work.

Watercolor Class with Suzanne Boeck

Watercolor Class with Suzanne Boeck
Croswell Library
Sat. June 12, @ 10 am
Cost is $25
No experience necessary
No supplies necessary
3 hours
Learn skills and tips
Be creative
Keep your art to display
Have fun

Watercolor Class with Suzanne Boeck

Watercolor Class
Croswell Library
Sat. June 29, @ 10 am
Cost is $20

No experience necessary
No supplies necessary
3 hours
Learn skills and tips
Be creative
Keep your art to display
Have fun

First Tuesday Concert: Lost Cuzzins

Lost Cuzzins
Harmonies and Humor
Tuesday, June 5 @ 6 pm
Croswell Library

THE CUZZINS music is a mixed-bag including folk, classic rock, country, newgrass and folk-rock. Add a bit of their humor and you get a lively entertainment package. Harmonies are a strong point. Guitars, dobro, mandolin, bass, keyboards, tin whistle, they play them all.

Necklace Building Craft

Aitkin Library Craft Nightnecklace
Mondays from 3-5

On Monday, December 5th, join us for a special craft night where you can learn to make these homemade necklaces. You’ll just need to bring a few materials: 1/4 yard of a material of your choice and 11 beads approximately 1/2 to 1″ long. We will have a sewing machine there to use and instructions Wear them yourselves or give them for gifts!

Intro to Henna

Henna DesignsIntro to Henna
Thursday, July 14 @ 5:30

This class will teach teens and young adults some intricate henna designs, so they can make their own temporary tattoos.

Gone Girl

Click image for availability.

Click image for availability.

Gone Girl Book Review
As soon as I saw that my favorite director, David Fincher, was making a movie from the book, “Gone Girl” from Gillian Flynn, I knew I had to read it. Fincher doesn’t choose bad books to turn into screenplays. He has a reputation for taking the darkest most compelling Best Sellers and turning them into cult classic movies.

The ominous tone is set early as Nick comes home to a wide open door, broken glass, and a missing wife, the titular Gone Girl. Flynn seamlessly employs a chronologically disjointed narrative alternating between the diary of the missing Amy leading up to her disappearance, and the thoughts of the suspiciously calm Nick.

As her journal entries approach the present day, we can’t help but try to piece together the mystery through the tantalizing clues left in her diary, and wonder how the couple’s love turned from bliss to bitterness. We wonder if we can trust the husband, whom we’ve come to know through his first person narration. We’re in his head. It couldn’t be him we tell ourselves, but all the signs point to him, and there are disturbing gaps in his memories and an endless string of lies he tells the police, and who keeps calling him? What about the ever raging Mississippi River? Surely it has a role to play in this mystery, running endlessly through the story, constantly reminding the reader of its presence, and of the post-industrial malaise that hangs over the rust belt, and sets the tone for this dark psychological thriller.